A Shadowed Fate, by Marty Ambrose. Severn House. 192 pp. Hardcover $28.99.
Reviewed by Phil Jason (review accepted by Florida Weekly, but fate otherwise unknown). Please enjoy.
In this second book in her series, which promises to bring a large and avid readership, Ambrose has retooled a bit, changing the name of the series from The Claire Clairemont Mysteries to the Lord Byron Mystery Series. What’s in a name? Like the earlier “Claire’s Last Secret,” secrets play a large role in the plot and the motives of the character. This one could be called Edward Trelawny’s Secret, as his decade’s long subterfuge is now confessed, explained, and teeters on the edge of being forgiven.
Claire, the main character, from whose point of view most of the book is narrated, seems to live both in the present time (July 1873) and the much earlier time of her youth and memories (1820-21).
Claire spent much of her life as young woman hanging out with the fashionable Byron-Shelley crowd of writers along with her stepsister Mary Shelley. This young British nobility of the arts lived as expatriates in Italy. Claire had little in the way of financial resources, but as part of this fashionable crowd, which also included Edward Trelawny, she made do.
Trelawny, who wrote a biography of Byron, was her would-be lover; but for Claire, Byron was the real thing. So much so that she gave him a child, Allegra, whose fate is the central question of the story.
In the novel’s present time, Trelawny approaches the aging Claire with a confession of sorts. He breaks promises he had made to the long-deceased Byron that suggest that Allegra, thought to have perished in the near destruction of the convent in which she had been brought up, may have survived.
Byron had placed her there for her protection. A man who had many enemies through his role in the liberation of Greece and for other reasons, he wanted to protect his daughter from those enemies. Those who might be after Allegra would also be after her mother, and, indeed, there are many signs of nefarious doings, including attempts to rob Claire of her handful of papers and artifacts that could be sold for a significant price. These include originals of some of Byron’s writings and a rare drawing. This little horde was Claire’s assurance of some income as she would need it through the remaining years her life.
Along with the fact that Ambrose’s prose captures the nature of Claire and the other characters marvelously, readers are given the opportunity to get into their heads in attractive ways. A series of passages reveal Claire reading or remembering passages from Byron’s diary. Thus. we get to know Byron. In a few strategically placed passages, we are let into Allegra’s thought as the girl living a lonely, parentless life in the convent. Her father, who she remembers, dares not visit her.
Ambrose shapes the action so that a visit to the convent is inevitable. Claire receives promises from the leader of the institution to check records with the hope of shedding light on Allegra’s fortunes. Is she still alive but hidden and protected in some other way? Did she indeed, perish in the convent catastrophe? Is there anyone else to turn to for information? There is, however all of her traveling to find the sought-for answers seem to be journeys in which she is being watched and shadowed.
Claire’s last hopes are the convent’s superior and the woman whom Byron fell in love with after ending his relationship with Claire. Teresa, equal in age to Claire, invites Claire to visit. She proves to be one of the many finely drawn minor characters that Ambrose weaves into the story. However, the meetings between the two women, pleasant duos of sympathetic hearts and minds, bring no resolution.
Other finely drawn secondary characters include Claire’s niece Paula, whom with her lover Raphael and young daughter Georgiana constitute Claire’s household. But it is Edward Trelawny, on hand through most of the novel, and determined to prove himself to Claire, who is the most fully developed after Claire herself
If you’re a fan of history, romance, and fictional biography, Marty Ambrose will keep you fully engaged with her uniquely orchestrated and poetically cast novel. Moreover, Ambrose provides a remarkable portrait of Italy during the fifty-year stretch in which her plot about Claire’s life and aspirations develops.