Review by Philip K. Jason
Bellevue Literary Press. 272 pages. Trade paperback $16.99.
A prolific novelist and cultural critic, Charyn has brought together a group of autobiographical and critical essays energized by a distinctive, memorable style at once accessible and brimming with erudition. As the all-American child of parents defined by the immigrant experience, Charyn includes several essays having to do with his Bronx childhood. His parents’ silences were the silences of displacement, and Charyn’s eventually countervailing life in language becomes his ironic emergence from that silence into well-scored, elevating song.
Charyn writes with passionate precision about writers, films and filmmakers, about New York’s marginalized classes, and all manner of cultural icons. He gets under the veneer of icons like Negro League baseball titan Josh Gibson. He celebrates the works of such Jewish writers as Isaac Babel, Henry Roth, the underpraised Samuel Ornitz, and the game-changing Saul Bellow, putting their radically different oeuvres in context. (His essay on Babel, a gem over fifty pages long, dazzles.)
To read the entire review, as it appears on the Jewish Book Council site, click here: In the Shadow of King Saul