The latest entry in Julia Dahl’s Rebekah Roberts series is a powerful exploration of how unjustifiable convictions occur and what the consequences are. It also evokes the spiritual overtone of the title word. The storytelling mode is particularly effective, mixing sections told in the main character’s voice with other sections that enter the minds and emotions of other important characters.
It’s all about perspective.
Something horrible happens in Brooklyn during the summer of 1992. A black mother and father, along with one of their foster children, are murdered in their Crown Heights home. Another foster child is convicted of the crime, a false confession wrung from him via despicable police interrogation.
The narrative moves back and forth, alternating between two timelines. One describes the sequence of events as they happened in 1992. The other reveals events of 2014, especially those that follow journalist Rebekah Roberts, who is sparked into action by a letter from fortyish prison inmate DeShawn Perkins. He claims that he has been in jail for 22 years for a crime he didn’t commit.
To explore the background and consequences of this claim, Dahl designs a layered plotline that includes the relationships between the African-American and Jewish communities; the abusive and often criminal practices of city landlords; the unwillingness of police and district attorneys to reopen closed cases; the decline of U.S. newspapers; and the shoddy journalism that arises from the tension between getting the facts straight and being first to break the story.
And that’s not all. Conviction probes the texture and dynamics of parent-child relationships in a remarkably rich way. It’s not all good news. The relationship between Rebekah and her mother, Aviva, for instance, is very rocky. . . .
To read the entire review, click here: Conviction: A Novel | Washington Independent Review of Books