End Game, by David Hagberg. Forge. 320 pages. Hardcover $25.99.
This latest Kirk McGarvey novel is a major tour de force for its prolific and widely-praised author. Sarasota author David Halberg seems to dare himself with the riskiest premise, leaving readers to wonder if he can manage those self-made challenges of plotting, suspense, and characters at the edge of plausible definition. What kind of serial killer leaves his mark by eating through the faces and throats of his victims? Is this a mania or a message?
It’s easy for the top strata of CIA insiders to understand the common denominators that define the victim pool. They are all a certain kind of CIA outside insider; that is, they are (or were) NOCs, agents who work under Non-Official Cover. These are operatives who assume covert roles in organizations without official ties to the government. Some, including several in this novel, are somehow repatriated into normal roles within the CIA.
Seven such agents have something else in common: they were all part of or knew about an operation in Kirkuk, the major Iraqi petroleum center. Something was buried above city just before the Second Gulf War, and its discovery and implementation threaten to set off World War Final.
Who’re you gonna call? In a Kirk McGarvey novel you’re going to call Kirk, a former CIA director who is often brought in on special cases. Once you call Kirk, you’re going to hear from his occasional squeeze, Pete Boylan, a brave and beautiful agent who will inevitable get in Kirk’s way – emotionally, that is.
Though this thriller has international sweep, taking readers to Greece, France, Israel, and other locations, many scenes are set at CIA headquarters in Langley, Virginia just outside of Washington, D. C. In these scenes, the authoritative detail is compelling (whether it is truly accurate or not is another matter). Mr. Hagberg puts us right on the spot, whether he is presenting extended vistas of the campus, main buildings or outbuildings, or the interiors of offices and meeting rooms. Security and other technical features are highlighted, and the reality of the CIA characters is enhanced by the way they related to their environment.
In the courtyard at CIA headquarters stands Kryptos, a piece of statuary designed to reveal important secrets of if it can be decoded. Its four engraved copper panels, once deciphered, predict the means and purpose of the serial killings. Re-writing history is part of the agenda. . . .
To read the entire review, as it appears in the October 12, 2016 Fort Myers Florida Weekly and the October 13 Naples, Bonita Springs, and Punta Gorda / Port Charlotte editions, click here: Florida Weekly – End Game