She Writes Press. 341 pages. Trade Paperback $16.95.

Southern Literary Review’s


Pam Webber

Reviewed by Phil Jason

It’s 1969 and helicopters drum above the town of Crystal Springs, Alabama twice a day. At ten each morning they leave Fort Rucker for a training field: Field 10. Twelve hours later, the choppers leave in formation to make the return trip. The scheduled explosions of light and noise define the days of those who live in the arc of flight, keeping them vaguely aware of the war going on in Vietnam. wiregrass-front-cover

However, in The Wiregrass, a region embracing parts of Georgia, Alabama, and Florida, summer in the deep South offers fellowship, freedom, fun, and family to the young Campbell cousins (self-named as “Cussins”) who come each year to reconnect and frolic at and around the home of their Ain’t (this is the author’s dialect spelling) Pitty and Uncle Ben. Granny, the family matriarch, lives nearby.

Seven cousins, four in their teens, are ready for fishing, swimming, exploring, loafing, and also doing some tasks. The central character and narrator is fourteen year old Nettie, whose parents drive her, her one year older sister Sam, and her brother L’il Bit down from Virginia and leave them for the summer season. There they meet up with J.D. and his two sisters from another family and Eric from yet another.

It’s easy to label The Wiregrass a coming of age story, not only as it addresses the dawning of Nettie’s sexuality and moral insight, but also as it engages the issue of personal responsibility for all of the teens: Nettie, Sam, J.R. and Eric.

The catalyst for this growth is another teenage boy, Mitchell, a desperately troubled young man who is abused by his alcoholic father. The Campbell adults, charitably enough, allow Mitchell to mingle with their children.

Mitchell is the most sincerely respectful of the teens, clearly his mother’s child, and he is the most lost. Nettie develops a crush on him that at first is marred by Sam’s teasing, but soon enough Nettie is far more proud and pleased than embarrassed.

The idyllic nature of this tale is marred by two ingredients. . . .

To read the full review as it appears in SLR, click here:  Southern Literary Review — September Read of the Month: “The Wiregrass”

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